Lenny Dee - Dee-lirious!

Like many of pop organist Lenny Dee's early LPs, Dee-lirious! (Decca, 1956), his second release, is laced with vintage boogie-woogie, swing and jazz tunes. (For more on Dee's 1950s albums, read this earlier post.)

Among the standards on Dee-lirious! are Chinatown, My Chinatown, Caravan, Twelfth Street Rag and Coquette, a 1928 classic with music by Johnny Green and Carmen Lombardo and lyrics by Gus Kahn. Guy Lombardo and his Royal Canadians, with Carmen on vocals, recorded it that year for Columbia. RCA Victor had a competing version by Paul Whiteman and his orchestra.

Coquette has found its way onto scores of records since, including versions by Django Reinhardt, Louis Armstrong and Billy Eckstine. Here's Lenny Dee's take.

Coquette



Information on the availability of digital versions of Dee's early LPs that was included in the earlier post is still valid. And don't forget that his LPs make frequent stopovers in thrift store bins. Look for the ones released from 1954 (DEE-Lightful! Hi-Fi Organ Solos With A Beat) to about 1965 (Sweethearts on Parade). Most of his recordings after that are mainly easy listening mush.

Here's another selection from Dee-lirious!, That's My Weakness Now. Composed in 1928 there were contemporary popular recordings by Helen Kane and Cliff Edwards, who often recorded under the name Ukulele Ike.

Jack Cole Quintet - Macy's (single)

Macy's, a rockin' sax-organ combo piece by the Jack Cole Quintet, sounds very much like Plas Johnson's singles for Capitol in the 1950s. You can also hear the influence of Earl Bostic's fine sides for King.

It's not surprising that Cole (I'm assuming he's the sax player) sounds very much like Johnson. On the "A" side of this single is a cover of Sax Fifth Avenue, which Johnson took into the charts, using the pseudonym Johnny Beecher, in the spring of 1963. Both versions were released around the same time.

Sax Fifth Avenue and Macy's appear to have been the only two sides recorded by the Jack Cole Quintet.

Macy's



Neither side of this single has appeared in a digital format.

The Carnaby Street Set - I Was Kaiser Bill's Batman (single)

The Carnaby Street Set might have had the original version of I Was Kaiser Bill's Batman (CBS [U.K.], 1967), as claimed on the picture sleeve of this 45, but the hit recording, on the Deram label, was credited to the fictitious Whistling Jack Smith.

The claim that the Carnaby Street Set were first out of the gate with this novelty tune seems somewhat dubious since the Whistling Jack Smith version was the product of the song's composers, Roger Cook and Roger Greenaway. It's not likely that the songwriters would have let someone else have the initial crack at the song if they were planning their own version.

What is certain is that both records were issued around the same time in 1967 and both were recorded by mostly anonymous groups of British studio musicians. Here's the recording credited to the Carnaby Street Set.

I Was Kaiser Bill's Batman



I prefer the oompah-marching brass sound of the Carnaby Street Set to the whistling-dominated hit recording. I believe whistling novelty tunes should be taken in small doses or perhaps ignored entirely. Some sources suggest Mike Sammes, leader of the Mike Sammes Singers, well known to British fans of easy listening, was the whistler on the Whistling Jack Smith recording. Another musician posed as Smith for public appearances.



If you look hard (and really, really must have it) I Was Kaiser Bill's Batman by Whistling Jack Smith is available on the major download sites, but the Carnaby Street Set version seems to be confined to vinyl singles and, of course, YouTube.

Jerry Murad's Harmonicats - Great Themes from TV and Motion Pictures

Great Themes from TV and Motion Pictures appeared on Columbia's Harmony budget label in 1969 as the tenure of Jerry Murad's Harmonicats with the company ended. The 10 tracks were assembled from LPs released on the main Columbia label over the previous few years.

Several came from The Love Song of Tom Jones and Other Great Movie Hits (1964), which you can read about and listen to a sample in this previous post. The earlier blog entry also has a bit of background on the group.

The Pink Panther Theme, of course, is very familiar thanks to Henry Mancini's hit version from the original soundtrack that featured the sax of Plas Johnson. Surprisingly the substitution of harmonica for sax works quite well in the Harmonicats' version, which was on both Great Themes and Love Song of Tom Jones.

The Pink Panther Theme



The content of Great Themes does not appear to have been released digitally.

Note in the video below that the cover for the British release of the LP (on Hallmark) was changed to highlight Theme from "The Avengers," the highly popular U.K. TV series that ended its run of eight-plus years in May of '69.

Floyd Morris - The ConSoul of Floyd Morris (Post #2)

Chicago-based pianist and organist Floyd Morris, who released just this one LP and a handful of singles between 1965 and 1972, spent most of his time backing other artists (Gene Chandler, The Impressions, Etta James) in recording sessions. For more details on Morris and the album The ConSoul of Floyd Morris, read this earlier post.

Saxophonist Buddy Lucas shares the spotlight on the stomping title tune.

Consoul



The ConSoul of Floyd Morris remains unavailable in a digital format, so here's Big News, another sample from this fine LP.

Curtis Peagler & the Jazz Disciples - Low Life (single)

Alto saxophonist Curtis Peagler (1929-1992) and a group billed as the Jazz Disciples recorded this one-off single for Columbia in 1961 after he had recorded two well-regarded LPs for the New Jazz label. The group was known as the Modern Jazz Disciples for those albums.

For background on Peagler and to hear the flip side of this 45, It's a Blue World, go to this previous post. There's no indication whether the personnel on the single is the same as it was on the LPs.

Low Life



The quality of this recording is not the greatest. The speed sounds a bit wonky and it's possible this side of the single was pressed a bit off-center. I don't have it handy to check. Unfortunately neither side of the 45 has received a digital release.

Peagler played with Ray Charles's orchestra in the mid- to late '60s and followed that with a seven-year gig with Count Basie. In later years he performed as a solo act, mainly in southern California, and played with the San Diego-based Sweet Baby Blues Band.

The first of the two Modern Jazz Disciples LPs for New Jazz was a self-tiled effort released in 1959. At the time Peagler did not receive a separate billing from the group. Disciples Blues was written by Peagler and another group member, William Kelley.

Raoul Meynard - Continental Visa

Beginning with Continental Visa in 1958, a handful of orchestral LPs credited to Raoul Meynard were issued by Warner Brothers. The releases ended in the early '60s.

There appear to be no other Meynard releases on Warner Brothers or any other label. As well there is not a shred of biographical information in the album notes on any of the LPs, other than a vague, and quite likely fibbed, reference to European hotel appearances.

This leads me to suspect that these recordings may well have been done not in Europe but in the U.S., a suspicion reinforced by the fact that the producer of the third Meynard release, Continental Visa Renewed (1959), was Alvino Rey, the American guitarist and bandleader. It stretches credibility to believe that he would have been sent to the Continent to record a European orchestra.

In any case most of the Meynard LPs evoke echoes of Europe through generous use of mandolins, accordion, etc., as well as titles like the previously mentioned Continental Visa pair, Carte Blanche/Continentale, Strolling Mandolins and Continental Host.

The Poor People of Paris is the first track from Continental Visa. In France this song was known as La goualante du pauvre Jean (The Ballad of Poor John) and was a big hit for Edith Piaf. In English markets most recordings of The Poor People of Paris have been instrumentals, with Les Baxter's version topping the U.S. chart in 1956. In Britain pianist Winifred Atwell had the hit recording. Here's the Raoul Meynard version.



Several of the Raoul Meynard LPs, including Continental Visa, are available via download from most of the major sources. The releasing company is listed as Marathon Media and tellingly there's no sign of the Warner Brothers logo on the cover art. That undoubtedly means these releases were put together without access to the master recordings and without the blessing of whoever owns the Warner catalog these days.

Funiculì, Funiculà is a famous Neapolitan song composed in 1880 to mark the opening of the first funicular (inclined railway) on Mount Vesuvius. Raoul Meynard's version comes from his 1961 LP Continental Host. It's also on the download released pictured in the video.

Jerry MacNeish Plays The Fireballs

Jerry MacNeish, who played bass in a later edition of The Fireballs and became the group's historian, recorded this tribute to the group in Norman Petty's studio in Clovis, N.M., where The Fireballs recorded their hits like Torquay, Bulldog and Vaquero in the early 1960s. The group's sound helped lay the foundation for surf music.

On the LP Jerry MacNeish Plays the Fireballs (Nor Va Jak, 1986) he plays all the instruments, with the exception of piano, some of which was provided by Vi Petty, Norman Petty's widow. Here's MacNeish's take on Chief Whoopin-Koff. It's very close to The Fireballs' original, which was on the flip side of Vaquero, released in July 1960.

Chief Whoopin-Koff



Jerry MacNeish Plays the Fireballs was reissued on CD, on a very limited basis, in 1996 by NPR Records in Germany.

The title was altered slightly and there were five bonus tracks. Both the CD and LP are long out of print, but copies turn up now and then online at widely varying prices. No download version is available.

The original Fireballs seem to be fairly well represented in digital formats with several download and CD collections.

And yes most people remember The Fireballs as the band backing vocalist Jimmy Gilmer on the No. 1 hit Sugar Shack in 1963. But here they are in instrumental mode with the "A" side of the Chief Whoopin-Koff single.

Floyd Cramer - Long Walk Home (single)

Billboard reported on April 3, 1965, that both pianist Floyd Cramer (on RCA Victor) and orchestra leader Hugo Winterhalter (on Kapp) had released singles of Long Walk Home, "an intriguing piece of material with a New Orleans flavor" by Nashville songwriter and session player Chip Taylor. "Either or both should be winners," opined the music industry journal. Neither made the charts, unfortunately.

There was an equally interesting tune on the flip side of the Cramer 45, something called Town Square by fellow Nashville keyboardist Jerry Smith. Neither side of the single was on a current LP, but both did turn up two years later on Night Train, a budget release on RCA Camden.

Here's Long Walk Home taken from a Canadian pressing of the original single.

Long Walk Home



Long Walk Home and Town Square don't seem to have made it onto any of the multitude of Floyd Cramer CD and download releases, but it's possible I've missed one or two. However, cheap copies of the Night Train LP appear to be plentiful. To read more about Night Train and to listen to Town Square, read this earlier post.

From YouTube: This version of the Bob Wills standard was a hit for Cramer in 1961 and was included on his album On the Rebound.

Gene Krupa - Gene Krupa and His Sidekicks

This collection of Gene Krupa tracks, featuring some of the famous sidemen who appeared with the drummer-bandleader's orchestra, was first issued by Columbia in 1955. The LP cover looked like this:

The cover pictured at the beginning of this post is from a 1974 reissue. Among those featured on the album are Benny Carter, Anita O'Day, Helen Ward and Gerry Mulligan. Mulligan is spotlighted on How High the Moon, but as an arranger not a soloist. This arrangement, Mulligan's first for Krupa's band, was recorded in 1946. Featured soloists are Charley Kennedy on alto sax and Red Rodney on trumpet.



There has been no CD release for Gene Krupa's Sidekicks and the couple of download versions that are available are of the dubious European out-of-copyright variety, taken from less than pristine vinyl, no doubt. Far better to look for a good copy of the 1974 re-release LP, which seems generally to sell for a reasonable price.

In 1941 Krupa and his band appeared in Ball of Fire, a musical comedy starring Barbara Stanwyck and Gary Cooper in which the orchestra played Drum Boogie. I'm not sure whether the Krupa track called Ball of Fire was also used in the movie, but it was released a single on Columbia's Okeh label around the same time. Roy Eldridge is the trumpet soloist.

Stanley Turrentine - The Sugar Man

The Sugar Man was the last of five albums that tenor sax great Stanley Turrentine (1934-2000) released on Creed Taylor's fusion-oriented CTI label after his long tenure with Blue Note. Although the LP came out in 1975 all of the tracks had been recorded four years earlier.

Three of the five selections feature Turrentine in front of a big band arranged by either Deodato or Chico O'Farrill. The other two are with a sextet in which guitarist Kenny Burrell plays a prominent role. The Stretch is one of the small group tracks.

The Stretch



Although the bulk of Turrentine's CTI output has been released on CD and is available via download, The Sugar Man has not appeared in either form, perhaps because of its somewhat grab-bag nature.

Gibraltar comes from Sugar (1970) the sax man's first CTI album and has George Benson on guitar.

Roger Neumann - Introducing Roger Neumann's Rather Large Band

Roger Neumann's full-time job as a jazz educator in Los Angeles allowed him to record only infrequently. As well he's an in-demand arranger for artists as diverse as Count Basie, Ray Brown and the Beach Boys.

Neumann's Rather Large Band has made only two albums, with the debut, Introducing Roger Neumann's Rather Large Band, coming in 1983 on the Sea Breeze label. First released as an audiophile LP, it was re-released very briefly on CD a decade later and now commands collector prices ($20-80) for a copy. It's not available as a download.

Among the three standards on this outstanding date by the 19-piece big band is Ray Noble's Cherokee, a tune most associated with Charlie Barnet during the swing era. Featured on this track are pianist Tom Ranier, Bob Enevoldsen on valve trombone, Dave Edwards on soprano sax, Jack Coan on flugelhorn and Bob Hardaway on tenor sax. The MP3 is taken from the vinyl LP.

Cherokee



Best bet for obtaining (legally) this album at a reasonable price is probably checking around for a vinyl LP. I've seen copies online in the $10-15 range. There are also copies selling for twice that.

In the meantime here's the lead-off track from Introducing Roger Neumann's Rather Large Band, a driving version of a well-known TV theme, (Meet) The Flintstones. The then-unknown Eric Marienthal has an alto sax solo on this.

Chris Barber's Jazz Band - Lonesome (single)

British trombonist Chris Barber is into his 65th year as a bandleader (in 2014), fronting the Big Chris Barber Band on a U.K. and European tour.

In 1953, along with clarinetist Monty Sunshine and vocalist and guitarist Lonnie Donegan, Barber joined forces with trumpeter Ken Colyer in Ken Colyer's Jazzmen. This group, minus Colyer, morphed a year later into Chris Barber's Jazz Band, one of the driving forces behind the "trad jazz" movement in the U.K.

Over the years blues became an important part of Barber's repertoire and the group evolved into the eight-member Chris Barber Blues and Jazz Band. In 2001 three more musicians were added to form the Big Chris Barber Band.

The one Barber record everyone remembers is Petite Fleur, featuring Sunshine's clarinet. This version of a Sidney Bechet composition was a worldwide hit in 1959. The followup single also dipped into the Bechet catalogue for Lonesome (Si Tu Vois Ma Mère [If You See My Mother]), again with Sunshine in the solo spotlight. The MP3 is taken from the original single.

Lonesome



There is a bewildering array of digital releases from Barber's catalogue, with almost all his recordings for Pye and Columbia in the U.K. being available in some form. If you can, sample any downloads before purchasing.

Here's a recording made shortly after the Chris Barber Jazz Band formed in 1953. The personnel is Barber, Sunshine, Donegan, Pat Halcox on trumpet, Jim Bray on bass and Ron Bowden, drums.

Bill Jaffee & His Islanders - Hawaiian Paradise

While Hawaiian Paradise (1959) is a classic slice of vintage tiki sounds its background is a bit of a mystery. The only documented release of this LP is on a British label, Fidelio, but it appears to be American in origin due to the presence of arranger and conductor Jim Timmens and vocalist Anita Darian.

Timmens made several jazzy LPs for Warner Brothers in the late 1950s, including the highly regarded Gilbert and Sullivan Revisited. He also worked on a bunch of children's recordings, some in the company of Darian, an operatic style soprano who graces a few of the tracks on Hawaiian Paradise. She first gained notice with the Sauter-Finigan Orchestra in the mid-'50s.

As for Bill Jaffee and His Islanders, this is likely a moniker made up for this studio recording, as there are no other releases under Jaffee's name. Here's one of the instrumental tacks from the LP.

House of Jade



Hawaiian Paradise is not available in digital form, but used copies of the LP have been known to turn up on eBay, Amazon and elsewhere at reasonable, and sometimes downright cheap, prices.

Billy Martin & The Soul Jets - Doin' Their Thing

Trumpeter Billy Martin was from New York, but he and his fine funk band the Soul Jets did most of their recording in Montreal, Quebec.

Martin played in New York and Europe and studied at conservatories in Manhattan and Frankfurt, Germany. In the late 1960s he and his group toured Eastern Canada, staying in Montreal for a while. While there they recorded at least two albums -- Doin' Their Thing (London, 1969) and Strawberry Soul (Trans-World, 1970). Both were released only in Canada, are hard to find and have not been released digitally.

There was a third Billy Martin album of uncertain origin, I Turn You On, released on the Onion label in 1974. It possibly was made during the same period as the Canadian LPs. However, unlike those two releases it's a mainly vocal affair.

On the strictly instrumental Doin' Their Thing Billy Martin and the Soul Jets are in great form throughout, as evidenced by The Strut.

The Strut



Billy Martin seemed to disappear from the music scene after making the records in Canada. It doesn't appear that there were any further recordings with the exception of I Turn You On, which may or may not have been done later. Here's a sample from that LP.

Michel Legrand - I Love Movies

Most people know Michel Legrand for his popular movie scores (The Umbrellas of Cherbourg, The Thomas Crown Affair, Summer of '42) and the hit songs from them (I Will Wait for You, The Windmills of Your Mind, Theme from Summer of '42). Yet his first love is jazz and he began his recording career with a series of best-selling instrumental albums for Columbia.

The success of I Love Paris in 1954 spawned a dozen or more LPs in a similar vein -- Holiday in Rome, Castles in Spain, Legrand in Rio, etc. Legrand apparently did not benefit financially from the popularity of the albums. He was paid a flat session fee for the recording sessions that took place in his native France.

I Love Movies came along in 1958. The movie themes therein were mostly well known, but there were several from French movies that may not have been familiar to North Americans.

The standard Cheek to Cheek was written by Irving Berlin for the 1935 Fred Astaire-Ginger Rogers movie Top Hat. Astaire's recording of the song with Leo Reisman's orchestra was deemed to be the top hit of the year. Here's Legrand's version.

Cheek to Cheek



I can't begin to sort out the bewildering array of download versions of Legrand's Columbia recordings. Most, if not all, are the usual European out-of-copyright releases that should be approached with caution. As far as I can determine the tracks from I Love Movies are not available in a digital format.

On CD you should look for Legrand Piano: I Love Paris released by Sony in 1990 and available for under $5 on Amazon. There's also a release from Polygram in Europe of what is undoubtedly Legrand's finest Columbia recording, Legrand Jazz, with the participation of the likes of Miles Davis, Ben Webster and Hank Jones. There are plenty of cheap copies on Amazon and elsewhere. Make sure you get the Polygram release as there are also out-of-copyright versions floating around.

Here's something else from I Love Movies.

The 3 Sounds - Moods

Moods (1960) comes from the classic period of The 3 Sounds when the trio of pianist Gene Harris, bassist Andrew Simpkins and drummer Bill Dowdy were at the peak of their popularity. (For more on The 3 Sounds read this earlier post.)

Critics of the period generally weren't fond of the group's light touch, but record buyers made the trio one of the Blue Note label's top sellers.

For jazz DJs and juke boxes the record company issued Li'l Darlin'/Loose Walk as a promotional single. Both sides of the 45 were the full length album tracks, an unusual move for the time. The MP3 below is taken from the single, in mono of course.

Li'l Darlin'



Like other LPs by The Three Sounds Moods was released on a standalone Japanese CD that's now out of print. However, Moods is also included the four-CD out-of-copyright collection The Three Sounds: Eight Classic Albums from the European Real Gone Jazz label. Amazon has new copies starting at about $8, so you may want to take a chance even though these have likely been remastered from vinyl.

Out-of-copyright download versions of Moods also are widely available.

Here's Tammy's Breeze, another track from the album.

The Buena Vistas - Hot Shot

Not a surf record as you might expect from the group's name but a tasty slice of Detroit instrumental soul from 1966.

Very little is known about the group, which recorded a half dozen or so singles for at least four labels. Credits on the record labels indicate the involvement of  Buffalo, N.Y., DJ and record man Tom Shannon and Carl Cisco, who had both relocated to Detroit and were associated with another Swan recording group, the Rockin' Rebels (Wild Weekend). For further information (and some well-informed speculation) on the Buena Vistas read this post on the excellent Funky 16 Corners blog.

Hot Shot came out in May 1966 and was a minor hit on both the Billboard (#87) and Cashbox (#82) charts.

Hot Shot



The flip side of the single was T.N.T., an organ driven number that reminds me somewhat of Dave (Baby) Cortez (The Happy Organ, Rinky-Dink).

Both sides of this single are being peddled as downloads from all the major sources, but I'd be willing to bet they've been dubbed from vinyl.

Hot Shot is also included on the 1996 CD compilation Swan's Soul Sides: Dance the Philly from the highly-regarded Ace label in the U.K. It's available at a reasonable price from Amazon and other online sellers.

The Soul Brothers - Horsing Around (single)

The 1960s certainly proved to be a hotbed of dance crazes. The twist, the watusi, the monkey, mashed potato -- the list goes on and on.

Dance records seemed always to be on the charts, thanks in large part to powerful AM radio stations that covered much of the U.S. and network T.V. dance shows like American Bandstand. The countless local dance shows and promotions also played a significant role.

The success in 1968 of the dance instrumental The Horse by Cliff Nobles & Co., a No. 2 pop hit, inspired a raft of horse-themed singles, most of which passed unnoticed at the time and have now been largely forgotten.

Many of these records, like Cliff Nobles's original, emanated from soul labels in Philadelphia. Still others popped up from recording studios elsewhere.

Horsing Around by the Soul Brothers, led by Benny Gordon, came out of New York City sometime in '68. Although the group hailed from South Carolina most of their sessions took place in New York.

What sets Horsing Around apart from the other horse records is the dynamic drumming and the really tight horn section.

Horsing Around



Horsing Around was among the 21 tracks gathered in 2011 for the excellent northern soul CD compilation Dynamic Grooves: Funk and Groovy Soul from the Vaults of Scepter, Wand, Dynamo and Musicor. It's on the BGP (Beat Goes Public) label, an imprint of Ace Records in the U.K., and is widely available from Amazon and elsewhere at a reasonable price.

And here's The Horse that started it all, from Cliff Nobles & Co.

Various Artists - Dance Time (Parliament label box set)

The 1950s and '60s were awash with big band compilations and box sets for those who wished to relive swing's heyday in the '40s.

RCA Victor, Columbia, Reader's Digest and Longines Symphonette were all into this sort of thing, as were the budget labels. Releases on the cheap labels were all over the place quality wise, ranging from unlistenable to surprisingly good.

Parliament, one of the bevy of budget labels headquartered in New Jersey, wasn't known for the quality of its LPs. But the company outdid itself with Dance Time, a five-record box set with excellent sound. I believe this was issued in the mid-'60s. Many of the tracks are in true stereo, which means the recordings must have been fairly recent.

All of the names would be recognizable to fans of swing, jazz and Latin bands with the exception of the first, Paul Fontaine. The only Paul Fontaine I can find reference to in a musical context was a trumpeter with the Woody Herman band in the '60s and later taught at the Berklee College of Music in Boston.

He's unlikely to have been responsible for the tracks included here as most are soft dance band melodies. Carolina Moon, for instance, has muted brass and strings, not unlike Jackie Gleason's recordings for Capitol. But the guitar player (not identified, of course) contributes an all-too-brief break and does some fine comping (easily audible) throughout that really set the tune apart.

Carolina Moon - Paul Fontaine



The Dance Time box naturally hasn't had a digital release, although it's possible some of the tracks may have been issued in other compilations. Best to visit the vinyl bins at your local thrift stores as this set is just the sort of thing that's liable to turn up.

Finally a bit about Carolina Moon, written in 1924 by Joe Burke and Benny Davis. Crooner Gene Austin had a No. 1 hit with it in 1929. Thirty years later a version by Connie Francis gained some notice when it was included on the flip side of her hit Stupid Cupid.

Here's Gene Austin's original.